Wong Ping was born in Hong Kong, and received his BA from Curtin University, Perth, Australia in 2005. As a self-taught animator, Wong’s videos take on a bright and childlike aesthetic, creating a light-hearted, humourous, and accessible approach to the deep psychological issues experienced by the protagonists in his films. In 2018, he was the recipient of the inaugural Camden Arts Centre Emerging Arts Prize, and in 2019 he was one of the winners of the Ammodo Tiger Short Competition at the 48th International Film Festival Rotterdam. Wong’s work is held in several permanent collections including Solomon R. Guggenheim Museum, New York; M+, Hong Kong; KADIST, Paris/San Francisco; Fosun Art Foundation, Shanghai, among others.
 
Lise Fearnley began her animation career as Director of Photography for puppet master Pjotr Sapegin. She started working as a producer, and in 1996 she co-founded Mikrofilm. Lise has produced more than 30 animated shorts, as well as a broad range of commissioned films. Among her credits is Torill Kove’s Oscar winning short, The Danish Poet, with NFB as co-producer. Lise and Mikrofilm are currently in production with their feature film debut, Titina, directed by Kajsa Næss.
 
 
 
Amy Kravitz started making animated films when she was eleven. She studied Social Anthropology at Harvard University (AB), and Experimental Animation at California Institute of the Arts (MFA). Her films have won many awards and have screened throughout the world. Her animation is a quiet testimony to the intimate collaboration between viewer and maker that takes experience, encourage students to develop individual approaches to the medium. Her classes explore animation as a distinct language that employs unusual materials, unique spatial expressions, and visual metaphors as its grammar.